Information
Palatino® Nova is Prof. Hermann Zapf’s redesign of his own masterpiece, Palatino. The original Palatino was cut in metal by August Rosenberger at D. Stempel AG typefoundry in Frankfurt, and released in 1950. Palatino was later adapted for mechanical composition on the Linotype machine, and became one of the most-used typefaces of the 20th Century. Palatino was designed for legibility, and has open counters and carefully weighted strokes. The type was named after Giambattista Palatino, a master of calligraphy from the time of Leonardo da Vinci. Palatino is a typeface based on classical Italian Renaissance forms. A modern classic in its own right, Palatino is popular among professional graphic designers and amateurs alike, working well for both text and display typography.
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino Nova. Released by Linotype in 2005, the Palatino Nova family is part of Linotype’s Platinum Collection. Palatino Nova includes several weights (Light, Regular, Medium, and Bold), each with companion italics. Four styles (Regular, Italic, Bold, and Bold Italic) have Greek and Cyrillic glyphs built into their character sets. The Palatino Nova family also includes revised versions of Aldus (now called Aldus Nova), as well as two titling weights. The first titling weight, Palatino Nova Titling, is based on Hermann Zapf’s metal typeface Michelangelo, including Greek glyphs from Phidias Greek. The heavier titling weight, Palatino Nova Imperial, is based on Sistina.
The fonts in the Palatino Nova family support all 48 Western, Central, and Eastern European languages. Additional features: ligatures and historical ligatures, Small Caps, ornaments, and a range of numerals (proportional & tabular width lining and Old style Figures, fractions, inferiors, and superiors).
Technical Information
- Designer Hermann Zapf, Akira Kobayashi
- Styles 10
- Glyph Count 750
- Released 2005
OpenType Features
c2sc case dlig dnom frac hist hlig kern liga lnum locl numr onum ordn ornm pnum salt sinf smcp ss01 ss02 ss03 subs sups tnum
Supported languages
Afar, Afrikaans, Aragonese, Asu, Bemba, Bena, Bosnian, Catalan, Cebuano, Chiga, Corsican, Czech, Welsh, Danish, Taita, German, Lower Sorbian, Jola-Fonyi, Embu, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino, Faroese, French, Friulian, Irish, Scottish Gaelic, Galician, Swiss German, Gusii, Manx, Croatian, Upper Sorbian, Hungarian, Interlingua, Indonesian, Ido, Icelandic, Italian, Lojban, Machame, Jju, Kamba, Makonde, Kabuverdianu, Kikuyu, Kalaallisut, Kalenjin, Shambala, Colognian, Kurdish, Cornish, Latin, Luxembourgish, Ganda, Ligurian, Lithuanian, Luo, Luyia, Latvian, Meru, Morisyen, Malagasy, Makhuwa-Meetto, Maori, Malay, Maltese, Norwegian Bokmål, North Ndebele, Low German, Norwegian Nynorsk, Norwegian, South Ndebele, Northern Sotho, Nyanja, Nyankole, Occitan, Oromo, Polish, Portuguese, Romansh, Rundi, Romanian, Rombo, Kinyarwanda, Rwa, Samburu, Sangu, Sardinian, Northern Sami, Sena, Sango, Sidamo, Slovak, Slovenian, Southern Sami, Lule Sami, Inari Sami, Shona, Somali, Albanian, Swati, Saho, Southern Sotho, Sundanese, Swedish, Swahili, Silesian, Teso, Turkmen, Tswana, Turkish, Taroko, Tsonga, Volapük, Vunjo, Walloon, Walser, Warlpiri, Wolof, Xhosa, Soga, Zulu
Buying Guide
We offer the possibility of buying individual styles as well as complete families, with a link to the official Monotype Website.
Overview
Palatino Nova
30 px
Palatino Nova Light
Palatino Nova Light Italic
Palatino Nova Regular
Palatino Nova Regular Italic
Palatino Nova Medium
Palatino Nova Medium Italic
Palatino Nova Bold
Palatino Nova Bold Italic
Palatino Nova Titling
Palatino Nova Imperial
Palatino Nova
60 px
Giambattista
Palatino
Columns
Palatino Nova
Palatino® Nova is Prof. Hermann Zapf’s redesign of his own masterpiece, Palatino. The original Palatino was cut in metal by August Rosenberger at D. Stempel AG typefoundry in Frankfurt, and released in 1950. Palatino was later adapted for mechanical composition on the Linotype machine, and became one of the most-used typefaces of the 20th Century. Palatino was designed for legibility, and has open counters and carefully weighted strokes. The type was named after Giambattista Palatino, a master of calligraphy from the time of Leonardo da Vinci. Palatino is a typeface based on classical Italian Renaissance forms. A modern classic in its own right, Palatino is popular among professional graphic designers and amateurs alike, working well for both text and display typography.
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino Nova. Released by Linotype in 2005, the Palatino Nova family is part of Linotype’s Platinum Collection. Palatino Nova includes several weights (Light, Regular, Medium, and Bold), each with companion italics. Four styles (Regular, Italic, Bold, and Bold Italic) have Greek and Cyrillic glyphs built into their character sets. The Palatino Nova family also includes revised versions of Aldus (now called Aldus Nova), as well as two titling weights. The first titling weight, Palatino Nova Titling, is based on Hermann Zapf’s metal typeface Michelangelo, including Greek glyphs from Phidias Greek. The heavier titling weight, Palatino Nova Imperial, is based on Sistina.
Palatino Nova
Palatino® Nova is Prof. Hermann Zapf’s redesign of his own masterpiece, Palatino. The original Palatino was cut in metal by August Rosenberger at D. Stempel AG typefoundry in Frankfurt, and released in 1950. Palatino was later adapted for mechanical composition on the Linotype machine, and became one of the most-used typefaces of the 20th Century.